The Night of the Devils Blu-ray offers solid video and great audio in this overall recommended Blu-ray release The patriarch of a wealthy family fears that he will show up one day in vampire form. Should this happen, he warns his family not to let him back in his house, no matter how much he begs them. For more about The Night of the Devils and the The Night of the Devils Blu-ray release, see the The Night of the Devils Blu-ray Review published by Brian Orndorf on February 18, 2013 where this Blu-ray release scored 3.5 out of 5. Starring: Gianni Garko Director: Giorgio Ferroni » See full cast & crew Reviewed by Brian Orndorf, February 18, 2013 "The Night of the Devils" arrives with a little extra pedigree than the average Italian shocker. The 1972 release was based on Aleksey Tolstoy's 1839 story, "The Wurdalak," providing inspiration that's more interested in mood than overt scares, aided by leadership from director Giorgio Ferroni (the mind behind "Mill of the Stone Woman," in his penultimate film), who embraces the hauntingly straightforward interests of the material. Startlingly fulfilling while remaining minimal in its terror output, "The Night of the Devils" is an engaging viewing experience, perhaps best suited for those open to its simplistic narrative design, odd sensuality, and period-rich macabre details, shaped into an entertaining examination of trauma and vampirism, sold with all the sustained stares and zooms a viewer could ever want. Nicola (Gianni Garko) is on his way to a business deal, driving hastily through rural Italy. Startled into an accident, Nicola is left in the middle of nowhere without a working automobile, spying a farm nearby that could provide some help. Patriarch Corca (Bill Vanders) only offers assistance during the day, and with dusk fast approaching, he offers Nicola a bed for the night, much to the dismay of his volatile son, Jovan (Roberto Maldera). While taking a shine to Corca's virginal daughter, Sdenka (Agostina Belli), he's more intrigued with the tension inside the house, soon learning of a curse that's plagued the family for some time now, turning innocents into "Vourdalak" creatures that feast on human blood. While his passion for Sdenka runs high, Nicola is shocked by acts of self-defense he interprets as murder, refusing to stand idly by while Jovan prepares to protect the house from possessed loved ones, including his lover and aunt, Elena (Teresa Gimpera). Perhaps the greatest misstep of "The Night of the Devils" is found in its flashback storytelling device, greeting Nicola as he emerges from the cursed woods, beaten and traumatized, soon ushered into a hospital for medical and psychological evaluation. While bookend sequences inside the sanatorium still retain a few juicy surprises, a major one concerning the lead character's liberation from certain doom is answered in the opening act, allowing some of the film's tension to escape. While the element of surprise is rubbed off the movie early on, the general tone of disturbance and mystery doesn't lose its influence, simply redirected to the story of the isolated household and their daily dance with hazily defined demonic forces. A veteran filmmaker with a host of genre entertainment under his belt, Ferroni attacks "The Night of the Devils" with confidence, attempting to expand an unsophisticated tale of supernatural malice into a compelling, knotted psychodrama, inspecting the rural inhabitants for all the dysfunction and paranoia they're capable of transmitting. Admittedly, Jovan's sudden craving for Aunt Elena is a definite eye-opener, providing some voltage to the feature's sagging midsection, while the character's disgust with his father's old world ways of curse-breaking also maintains interest, with plenty of silent stare downs and constipated acts of communication helping to fuel domestic discomfort, which comes to rattle Nicola the longer he remains trapped with the itchy clan and their fear of an initially ill-defined force of evil. Ferroni employs stylish widescreen cinematography to inject cinematic beauty into the proceedings, and the ensemble brings appealing passion to their work, articulating rage and lust with professional, wild-eyed commitment. "The Night of the Devils" shows elevated interest in the mechanics of screen artistry, lending the film an irresistible gothic quality that plays with shadows and lighting, while massaging a feel for isolation that motivates the characters to satisfaction. There are also gorehound needs to satisfy, and Ferroni is happy to oblige, observing the deadly curse take its toll on the supporting cast with squishy make-up work, gushing neck wounds, and severed limbs, all showcased in irresistible detail. Because it just wouldn't be Italian horror from the 1970s if it didn't feature lingering close-ups of putrefying flesh. The Night of the Devils Blu-ray, Video Quality The AVC encoded image (2.35:1 aspect ratio) presentation does an excellent job resurrecting a long forgotten cult offering, giving it a little HD heft. Outside of some white speckles and the occasional blip of debris, the print is in wonderful shape, providing a solid foundation for the soft viewing experience. Some noise is detected in the corners of the frame, while another unidentifiable abnormality on the right side of the frame intermittently pops into view, but these are small issues in an otherwise satisfactory picture, with period-restrained colors (and mild fade) showing life, offering the ideal punch of red when blood begins to flow. Costumes are equally communicative with hues, while skintones are defined, moving between red blooded bedroom interests and ashen, undead monster pallor. Shadow detail is a touch too thick during evening encounters, but remains in good shape, with adequate blacks and comfy contrast. Grain is restrained, yet the image is filmic and welcoming, with fine detail quite healthy, clarifying textures on wounds and prosthetics (the reveal of a severed hand inadvertently showcases its rubber origins), while facial particulars are open for careful inspection. The Night of the Devils Blu-ray, Audio Quality The 2.0 DTS-HD MA sound mix has a bit of an uphill climb here, fighting the presence of hiss and pops, while some of the broader acts of violence test the limits of the upper range. It's a thin track, but one that's not too much of a concern, tending to dubbed dialogue exchanges with a hearty sense of verbal personality, maintaining performances without clutter. Scoring is substantial, carrying the picture as intended, with a full sense of orchestral control when called upon. Balance is satisfactory and horror cues are preserved, while atmospherics are expectedly thick and loud. Again, it's not a clean track, but quite pleasing considering the obscurity of the title. Booklet (12 pages) offers a short essay on the feature and Ferroni, an interview with composer Giorgio Gaslini, and a director filmography. "Introduction by Chris Alexander" (5:27, SD) is basically a webcam history lesson from the Fangoria editor, who walks viewers through Ferroni's history with the genre and the assorted technical legends who worked on the picture. There's no doubt that Alexander knows his stuff (the clip is recorded in his basement, adorned with horror memorabilia), but his pro wrestling-inspired presence (yelling directly into the camera) is on the aggressive side, making the intro more of an endurance test than I believe he was intending. "Interview with Giorgio Gaslini" (32:14, HD) provides an extended chat with the "Devils" composer, who's captured here behind a piano, barely tolerating the conversation. It's an uncut talk, so don't expect much polish. However, the information imparted here is terrific, with Gaslini discussing his admiration for Ferroni, the influence of jazz on scores of the 1960s, his work with Michelangelo Antonioni, and the rise of his own fame in Germany, where a "cult" has maintained access to work thought to be lost to the ages. It's an interesting conversation, with a few musical interludes that concentrate on Gaslini's work on "Devils." A Theatrical Trailer has not been included. The Night of the Devils Blu-ray, Overall Score and Recommendation "The Night of the Devils" is a solid effort all around, boosted by a mournful score from Joe Gaslini, who conjures a mood of lost romance and tragedy to backdrop the horror happenings, bringing unexpected elegance to the low-budget effort. Although it never reaches a peak of insanity inherent to the genre, "The Night of the Devils" achieves a balanced sense of the unknown, the sympathetic, and the ghoulish, focusing on character to embellish suspense as it creeps around in a most inspired manner. The Night of the Devils Blu-ray, News and Updates • The Night of the Devils Blu-ray (Updated) - August 13, 2012 Independent distributors Raro Video U.S. have revealed that they are preparing for Blu-ray release director Giorgio Ferroni's La notte dei diavoli a.k.a The Night of the Devils (1972), starring Gianni Garko, Agostina Belli and Roberto Maldera. The preliminary release ... 1. The Hobbit: The Battle of the Five ... 2. Big Hero 6 3. Interstellar 4. The Hobbit: The Battle of the Five ... 5. Into the Woods 6. The Hunger Games: Mockingjay Part 1 7. Unbroken 8. Night at the Museum: Secret of the ... 9. Game of Thrones: The Complete Fourt... 10. The Sound of Music » See more top sellers
The Night of the Devils (Italian: La notte dei diavoli, Spanish: La noche de los diablos) is a 1972 Italian-Spanish film directed by Giorgio Ferroni. It is loosely ..
Fulfilment by Amazon (FBA) is a service Amazon offers sellers that lets them store their products in Amazon's warehouses, and Amazon directly does the picking, packing, shipping and customer service on these items. Something Amazon hopes you'll especially enjoy: FBA items are eligible for and for Amazon Prime just as if they were Amazon items. If you're a seller, you can increase your sales significantly by using Fulfilment by Amazon. We invite you to learn more about this programme . From humble beginnings in a rural French Canadian home town, Celine Dion has risen to international superstardom like a shooting star. The premier contemporary pop vocalist of the 1990's, Celine was presented the World Music Award for the Best-selling Female Pop Artist of All Time in 2004. Over the course of her career, she has earned music industry accolades from around the world: Grammy ... 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Loved Me Back to Life 2. Somebody Loves Somebody 3. Incredible - Céline Dion duet with Ne Yo 4. Water and a Flame 5. Breakaway 6. Save Your Soul 7. Didn't Know Love 8. Thank You 9. Overjoyed - Céline Dion duet with Stevie Wonder 10. Thankful 11. At Seventeen 12. Always Be Your Girl 13. Unfinished Songs 14. How Do You Keep the Music Playing 15. Lullabye (Goodnight, My Angel) 'Celine' almost certainly remains one of todays ''Greats'' with her terrific and unmistakable vocal range, that many of us have continued to admire down the years. On this, her latest album she has changed her style a little as suggested during her recent interview on the 'Jonathon Ross' show. Many of the songs on-board could easily 'Chart' Obviously the title track 'Loved Me Back To Life' is among the stand-out numbers on-board (released as a single) Another superb track 'Breakaway' (I could easily see that being considered among her 'all time classics' in the not to distant future) 'Save Your Soul' another song that is among the many stand-out songs included on the album. I also love her virtual duet with 'Stevie Wonder' (performed during her show in 'Vegas' 'Thankful' another great track that explores her vocal range beautifully. 'Unfinished Songs' has to be another song worthy of highlighting. To be honest, for me, I quite simply loved all the numbers on board, I can say with confidence, if you like 'Celine's' songs down the years you would have no regrets by adding this album to your collection. On a recent visit to L.A. I was taken on a 12-day road trip which winded up in 'Vegas' for a couple of nights, where it was my good fortune and indeed privilege to see 'Celine' perform her 2-hour show at the 'Colosseum' in 'Caesars Palace' during which she did perform some of the numbers of what was then her 'forthcoming album' 'Loved Me Back To Life' The Experience, certainly a significant highlight of journey i'd been on. The Lady is a confident performer who's vocals on stage are pretty much what we hear on her 'CD's' (not all artists can do that in truth) If I was to describe 'Celine' with one word it would be 'Quality' Céline Dion is back with her eleventh English-language studio album LOVED ME BACK TO LIFE. After over 32 years in the music business and 47 albums under her belt, she has managed to reveal a quite different facet to her already wonderfully accomplished self. Dion is currently residing with her Céline Show featuring 31 musicians, a full orchestra and band at the Colosseum at Caesars Palace in Las Vegas. That was also where she laid most of her vocals down for the album. She did so at the legendary Studios at the Palms in Las Vegas. She also travelled to Florida to work at the Echo Beach Studio. All of which under the watchful ear of John Mcl. Doelp, album's executive producer. Dion recorded fifteen songs for the album, some of them are new and written especially for her, and the other tracks are her versions of a well-known songs. She wanted to sound different but without drastic disconnection from her legacy. She was ready to take the risk but let's face it, Dion is Dion and her distinct and easily recognisable voice will always be her trademark. No matter how she decides to use it. Her husband, career mentor and a manager René Angélil, pulled all possible strings to make his wife's dream become a reality. He got her to record a duet with R&B star Ne-Yo and Soul legend Stevie Wonder. Diane Warren, Sia Furler and Eg White have all written for her and the legendary Kenny `Babyface' Edwards produced couple of songs too. Céline Dion is very open about her happy existence and having the life she has always dreamed of: wonderful career and loving family. Dion is a master of music interpretation, she does not compose music, nor write lyrics, yet she sings them as they were `her' stories. She does make you feel like she has lived through them all.Read more › I have always thought that Celine Dion is the best vocalist from the diva singers that include the likes of Whitney, Mariah and Christina. On this latest release, Celine's voice takes on a different range with a huskiness apparant on several of the tracks. At times she reminded me a little of Amy Winehouse and I think that Celine once again shows that her voice is an extremely impressive instrument. This is an accomplshed album. Standouts are 'Loved Me Back To Life', 'At Seventeen' and the excellent 'Breakaway' where her voice sounds as good as it ever has. She might not be to everyone's taste that's for sure but it can't be denied that Celine is still at the top of her game. An excellent album - but what more could we expect from Celiene Dion? The mix of emotionally stunting songs hits just the right note - it's a winner. The album is reminiscient of some of her famous earlier work. I think the albums best song is the main single, 'Love Me Back to Life' - it combines excellent lyrics and powerful lyrics in order to cause musical bueaty. Dion has not dissapointed. It's been a while coming but her new album is a winner. Would I say 'buy it now' - Yes! - you won't regret